Aquality:Tales from the Depths

Did you know that the second largest market for books written in English Is India? I didn’t, but when a friend recommended I submit a short story for an Anthology being put together by an Indian publisher, I decided to do so, more out of curiosity than anything else. Little did I know what a joyful time was in store for me.


The request came when I was at an all time low, in my writing journey.

No matter what I did, I couldn’t seem to get the stories in my head onto the page in a way that I was happy with. The writing was clunky. Whatever I did, mistakes crept into the finished book. I put them on Amazon, then took them down a few weeks later, not happy to sell books I didn’t like. I was on the verge of giving up altogether.
I can hear you screaming “probably nothing that a good editor couldn’t fix.” I knew an editor would clean the books up for me, but my problem was deeper, and I would be wasting money if the books were re-edited before I was happy with the content. So I was about to remove my books from sale and stop writing. Steve had retired, so I planned to do the same.


So I sent off the story with an apology, explaining that a friend had read the story and thought it would fit their criteria, but I was sure that it wasn’t good enough.
The reply came quickly with such praise and such kind words that I was overwhelmed. A feeling that was repeated when I read the finished stories. They are deep, delightful and so poetic. I am so proud to be a small part of a treasure trove.

Aquality:
Tales from the depths


A quote from the Forward

‘This book is a collection of of stories built around water. Some of these stories have water sprinkled on them, but most are borne by the water…of oceans, seas, rivers, streams, rills — sometimes majestically calm, sometimes tumultuous, sometimes dark and ominous, sometimes gentle and happily gurgling.

There are stories by writers from all over the world, but its heart beats in India, with its richness and variety. One or two of the authors are male, but the book speaks to the souls of women, their experiences and their resilience.

This is not a frivolous collection. The stories echo the things we feel deeply about but often dare not express. It will make you laugh and cry, and the stories will affect you so much that you will dream about them.
I am reading here excerpts from two, Hema Iyer Ramani wrote the first. She is one of the many friends I have made as a result of being a part of this venture. The second is my story.
I wish I could read with the beautiful poetic lilt of the Indian ladies, but sadly I can’t and for that I apologise.

She
By Hema Iyer Ramani

La Percebeira
By
Abigail Thorne

Being a part of the group of authors responsible for this book has been fun. I’m sure that the publisher is concerned about costs and the book being profitable, but the sisterhood of authors has been enthusiastic, noncompetitive, and un-materialistic. Their generosity of spirit shines through the stories, making the book quite magical.
There are so many more stories that filled me with delight that I cannot mention them all so please just read the book.

As for my writing, I read more books on craft, more books on editing and had another go. I’m happy with the result, not because the books are as good as I want them to be, but because they sound like my stories.
My next book will be better, more authentic. For me that is the trick, don’t concentrate on the writing trends that make the book commercial, instead focus on the story as I would like to tell it. It’s a bit old-fashioned, the genre might not be on point, modern rules of grammar are bent, but the voice is becoming mine at last.

In the meantime, read Aquality. If you live in India, contact your local bookshop or library and ask for a copy.
Also, it’s available on Amazon India.

At the moment, the book is only available in India, but contact me if you live elsewhere. I will pass your interest to the publisher.

In the meantime, read one of my books. Available on amazon worldwide I like them so I hope you will as well.

Spring

It’s been months since I wrote a blog, so long that I forgot my own rules for a readable post and had to start a new project for 2024 Blogs
Like other writers, I sometimes doubt my ability and reasons for continuing to write.
But I’m back now.


Another and more cheerful reason is the recent addition to our household.
His name is Welby, and as you can tell, he is a border collie. Like all new puppies, he takes up a huge amount of time. Anyone who’s owned a border collie knows they have endless energy. For a few weeks, he has exhausted us (in a delightful way), but now he’s growing up and things are getting easier.
Steve retired at Christmas, which is another momentous thing, but it has inevitably changed the pace of our lives and the time I have to write. Again, not a complaint but an adjustment, and it made me question why I write, I thought of stopping, but I find I can’t, the ache inside me to get words on paper is too great, and I discovered it so late in my life that I don’t want to lose it now.
While this was going on, I updated the Camino Murders series and published the paperback of sea dead. The story in my head matches the one on the page after reading countless books on writing. Once I commence my next novel, I’ll be more prepared, so keep an eye out for news about the upcoming addition..

Here, I summarise the three major stories in the Camino Murders series, in case you’re unfamiliar with them.

Book one, Death of a Pilgrim,

Richard Harris used to be a London detective. One day, while visiting a museum with his wife, he saw some men acting strangely. This incident made him a hero, but unfortunately, he lost his wife and the ability to walk properly. Distraught and grieving, he decided to quit his job and buy a small house on the Camino de Santiago, a place that held special memories for him. In order to forget the bombing incident and his previous life, he found solace in art.
However, when he returned from a walk one day, his peaceful existence shattered as he discovered the body of a young girl hanging on his fence. The shocking event disrupted his world once more. It was only when he realised he needed to confront his past and find a resolution that he teamed up with Colonel Miguel Lopez of the Spanish Guardia Civil, his new friend. Together, they embarked on a mission to uncover the identity of the murderer.

Book two Mass Murder.

Colonel Miguel Lopez has invited Richard back to the Special unit to investigate who is killing priests along the Santiago de Compostella and why.
He quickly discovers that all the priests have a secret, a secret that Miguel suspects but won’t talk about.
His search for the killer quickly becomes a battle for justice. Even Miguel doubts if the courts are the best way to deal with evil. So who is right? The killer, or Richard, has to decide what true justice means.

Book 3 Sea Dead,

Richard is ready to take his romance with Julia to the next stage, so he invites her over for a holiday. They are having a lovely time until Julia finds a body on the beach.
The local police deceive them, advised by a hotel server to leave, and encounter suspicious individuals who tell them about the rising number of deaths at sea and connect them to an ancient local myth.
When Richard investigates, he attracts interest from the assistant minister for justice.
Will he be able to uncover the truth when legends and lies come together to form a web of deceit?

Each of the books deals with a different motive for murder, and Miguel and Richard form a friendship which helps them to make the world a safe place.

So now, like the new leaves on the trees, I am emerging ready for the summer. So Look forward to more stories from a writer in the wild, new projects, and more stories.
In the meantime, read the Camino series. I’m sure that you will enjoy them.

They are all available on Amazon

I’ll never be young again. A short story.

Photo by cottonbro studio on Pexels.com

“That’s your bed made. What else shall I do? Remember, this is my last visit,” called the carer, her cheerful sing-song voice echoing around the empty hall.
“I know, I haven’t forgotten, so there is a gift on the kitchen table.” Emily had heard such negative stories about carers, but Amy was delightful. The granddaughter she had wished for, so unlike the one she was moving to be with.
“Thank you, but you are my favourite client, and I get paid to be here.” Amy skipped into the room, holding the gift-wrapped box from the kitchen table.
“You have been a wonderful help. Now, bring those last bags and put them on the porch for the Cats Protection League to collect, will you?”
“Of course. Are you going to miss this house? Your new flat will be so different.”
“No, I have my memories in here.” Emily pointed at her heart.

She lied, of course. This had been her home for so long, as familiar as the bed she slept in.
Amy bumped and clattered the bags on the stairs. Young people were so full of life, and she had missed the noise when she gave up teaching, much preferring it to the lonely solitude that her daughter insisted she needed now. “The annex is at the bottom of the garden, Mum, no one will ever disturb you there. She had told her.
“Do you want to keep this? It fell out of an old handbag.” Then a photograph fluttered to the floor and Amy picked it up. “Oh, it’s a letter, and this picture. Is it you and Mr Burton? How lovely. You look so happy.”
Emily’s eyes misted over as she looked at the photo. ” No, it’s me and someone I met a long time ago. My husband didn’t waste stamps writing to me.”
“Oh, is it a tragic tale of a lost love? How romantic?”

“Nothing so dramatic. In fact, it should never have happened.” But the memory made her smile.
“Ah, a secret lover,” said Amy with a sigh. “If I make us both a cup of tea and bring the shortbread that Mrs Garret gave you. Would you like to tell me the story?”
“You, young lady, should have left five minutes ago, and Mrs Garret’s shortbread is a health risk.”
When she saw Amy’s disappointment, she softened her voice. “What about your next client?”
Amy’s face brightened “As you are my last this morning, shall I put the kettle on?”
Emily nodded. She had vowed at the time that this story must go untold to the grave, but that was a long time ago.
“I love your stories, Mrs Burton. Mum tells me how precious memories are, especially as you grow older.”
“The things in your heart never age.”

That wasn’t true. Memories twisted and shifted with time. Those diminished by regret grew smaller and sharper, and others smoothed out, their blemishes’ fading and edges blurring in a halo of joy.
“Now, let’s start with the photo. Who’s the hot guy?”
“Mark Winters was his name, and he was the county archaeologist for Durham.” Emily’s voice had become wistful. She was recalling his face animated with enthusiasm, a single lock of dark hair hanging over his eyes.
“Was — Is he still alive?”
“I don’t know, I never saw him after that weekend,” she said, her mind in another place fifty years earlier.
Amy settled in the armchair. “Now, I want the lowdown, and the details, so start from the beginning,” said Amy, with a cheeky glance over her teacup. And Emily remembered the weekend as though it was yesterday.

“In those days, I was a stay-at-home parent, with toddlers to look after. John worked away for weeks at a time, so I was bored. I was never much of a housekeeper. One day, I took the children to the museum for an outing and met a friend from my university. We got chatting, and he told me about a local amateur archaeology society, and suggested I join because there were local young mums who belonged. They had a rota for babysitting while the rest visited a dig or attended a lecture. It was exactly what I needed, and I loved it.”
“And that’s where you met, Mark.”
“Now don’t interrupt if you want to hear the complete story.”
Amy mouthed, “I’m sorry” and settled again.
“There was a competition to win a place at the National Conference for Archaeology, expenses paid, and I won. John didn’t want me to go, because they held it in Durham, and I would have to stay in a hotel. He couldn’t understand why I was interested, but I was adamant and persuaded my mother to look after the boys.”
“The symposium began with a lecture by Mark on the future of archaeology. It fascinated me and I queued at the end to ask questions. I had so many questions. I dreamed that once the children went to school, I could study in the daytime, and volunteer at the local museum.
He answered my queries, and my questions about local digs and we talked for so long, the conversation continued in the bar. The archaeology crowd drank real ale, so I did too. Only I wasn’t used to anything that strong and it robbed me of my common sense.”

“Then you fell in love. What about your husband?”
“Well, I’m not proud of that part. It happened because I spent my days at home in old clothes cleaning up after the children. John was so tired when he came home that he didn’t want to talk. Mark treated me as if I were the most sophisticated woman in the world, and it flattered me that he was interested in what I said, as though it was worth something.” she could hear his voice with that odd little gasp he took when he had talked so fast, he hadn’t taken a breath.
“Aha, the photo doesn’t do him justice. He had a brown, weathered face with crisscrossing lines, and I loved his eyes, which were brown and warm, and the corners crinkled when he smiled. Honestly, he was so handsome that I wanted to spend the night looking at him. Later, we walked back to the hotel through the park, and stopped by the lake, and counted the stars that were reflected in the water.”
She paused.
He had stopped talking about archeology and looked at her quizzically, as though he didn’t understand what was happening. He had touched her hair and then her cheek and even when he had moved his hand; it left an imprint on her face. They didn’t speak. Words would have broken the magic.
“The next morning, he asked if I wanted to visit a dig site, and of course I did. The archaeologists were at the conference, which meant we were alone on the moors. It was a lovely day, and he showed me their finds and explained why they were digging there.

It fascinated me, it was so different to my normal life, and he answered my questions as though I was a colleague. He explained how to tell where man has influenced the landscape as we walked. He had taken a picnic, and we ate it, sitting in the heather by a stream. My heart did flip-flops as we held hands and gazed at the distant city.”
She could smell the heather. The fragrance isn’t strong, but ever since that day, it reminded her of him. She had wrapped a sprig in her handkerchief and when she got home, kept it in a pot on her dressing table. She wondered what had happened to it and remembered her daughter had thrown it away on one of her periodic ‘helpful’ spring cleans.
Amy was watching her intently now, so she went back to the story.
“There was music after dinner that night and he laughed at my jokes as we talked. I wore a silk blouse that I had made myself and used the matching scarf as a hair band which he untied, to admire my hair, and I felt so free and so confident. Then we danced until dawn, and I had never done that before. A colleague took that photo that evening and caught the chemistry between us.”

“What happened then?”
“We were living in a bubble as if our real lives didn’t exist. The next day, when the morning lectures ended, we returned to the lake in the park and hired a boat to row round the small island in the centre. But we were both hopeless at rowing and we got soaked when the boat tipped over. But we laughed and then lay on the island to dry. The ripples danced and sparkled in the sunshine as though we were in the land of fairies and as we watched the reflections on the water, time didn’t matter anymore.”
She closed her eyes to picture that scene, and the details were so clear. These days she forgot appointments and where she had put the cheese and her glasses, but she remembered that day so clearly. The pebbles that got caught in her shoes, the dry grass, and the warm earth under her shoulders, the way her hand felt in his.
“Then later, clouds shaded out the sun, and it was raining when I arrived back at the hotel. Real life had intruded into my daydream. I had to pack and ring John to tell him when I was due at the station the following day so he could collect me.”
“So you and Mark never talked about the future?”
“No, we never did. He had to sit with colleagues at the Gala dinner. The next morning, he drove me to that train, but we were late, and I had to run.”
“But you didn’t leave, Mr Burton, did you? So, were you trapped in a loveless marriage?”
She smiled and her young companion.
“In modern films, love is so black and white, isn’t it? No, you see, John was a good man. Perhaps he never had Mark’s passion, or shared my love of history, but we had a wonderful marriage.”

“What about the letter and photo?”
“Mark wrote two weeks later, asking to see me again and saying he couldn’t get me out of his mind.”
“No, he didn’t? And then you turned him away? Didn’t you ever regret doing that?”
“By then I discovered I was expecting Helen, so I said no. As for regrets, I wondered what life might have been like with him, but there were no genuine regrets. I loved John and I miss him still.”
“Did you carry on with the archaeology?”
“No, I was still interested, but it felt wrong, so when Helen was old enough, I trained as a history teacher and did that till I retired.”
“But you kept the letter and the photo, so it must have meant something to you.”
She had regrets, of course she did; she had done the right thing and had no doubts, but once you have seen what love and passion can be like, you can’t forget it. From time to time, she had wished that John looked at her with the intensity that Mark did that weekend. With a sigh, she continued.
“I gave Mark a piece of my heart, and the memory of the way he made me feel is precious even now.”
“Maybe you’ll get another chance at romance once you have moved into your granny flat.”
“In two weeks’, time, I’ll be eighty. I’ll never be young again!”
“Not in years, no, but rumour has it you broke your hip, falling off your grandson’s electric scooter? That’s not what old folk do. If I were you, I’d join the local archaeological society. After all, you never know.”

The end.

If you enjoyed this story, why not buy one of my books.

Stealth Desk 2

Where am I?

Photo by Jens Johnsson on Pexels.com

I’m still close to home, although I plan to get much braver and travel further in the future. I’m lucky in that there are so many beautiful spots to settle within a five-minute walk of my house.
I’m being more stealthy than last time, as I’m sitting in a neighbour’s field. I have set myself up so that I have a lovely view, but no one can see me from the road, because of the long grass.
As I settle down, it’s drizzling with rain and hoping that’s because we are in the clouds. I didn’t bring waterproofs. The views are hazy, shrouded in mist, and the distant mountains come and go taunting me. One day I will find them, but today I’m content watching them change, and form a distant end to my world. Closer to me, the hay meadows are ready for cutting and contrast sharply with the green of the forest. The tall dry grass rustles and whispers as the breeze comes through. I hear a cricket call and his friend reply. This afternoon the air will be full of their chatter. But now i shiver in the damp air.
Note to self: Add something waterproof to a permanent kit bag when I have one. It’s going to take me weeks to gather everything I need.
The upside of the cooler air is the amount of birdsong. I love being serenaded. There is a wood pigeon somewhere behind me heralding in the day.
Steve helped me to set up again today, so once again I have a small table. I better not get used to these luxuries.

It is now the middle of the afternoon and it’s so hot that I’ve rigged up a sunshade. An umbrella is the way to go.

What am I working on?

Photo by J. Kelly Brito on Pexels.com


I’m still working on the silver chalice. When I finish and republish, I will change the name to Death of the Rector. I have a character thread to change and update, and I want to change the concluding chapter to give a more satisfying ending. Once those two things are done, I will spell check and transfer the new draft to my e-reader to see how I’m doing. I’m worried about the characters because when I plotted the original story, I knew nothing about character arcs, flaws, needs, and desires or any on the things which are so fundamental now.


I am also drafting the book review of Intuitive editing, which I hope to have published before you read this.
Update Review is here.

What’s in my lunch box?

Photo by Tima Miroshnichenko on Pexels.com


I have purchased my first new pieces of gear. A new flask and a sensible sized lunch box. The flask is a real treat because it means I get coffee with my ham sandwich for breakfast.
Lunch will be couscous, a tomato salad, and cottage cheese, and randomly, a chicken wing which was left over from our BBQ at the weekend. So, I’m a fancy pants today. I’ve even got pudding, a bag of plums from the garden.

What am I reading?

Photo by Rikka ameboshi on Pexels.com


The last two chapters of Tea and comfort. I know it’s taken me ages, and it’s not because the book is bad, it’s because I keep running out of time and reading fiction isn’t high enough on the priority list. I need a solution, a solution for that.
The craft book that I am reading is Show and not tell and really getting it by Janice Hardy.
There is the third book that I have read on the subject. Previously I read the book and when I finish, I’m sure I understand the concept. Then when I come to draft my next story, I realise I haven’t understood it. I will persevere and one day I will understand. The best authors are in it for the long term. We just keep writing.
Even if the book is brilliant, I realise that the silver chalice won’t get the benefit. I hope my next book will. I’ll let you know.

Reflection.

Photo by Miguel u00c1. Padriu00f1u00e1n on Pexels.com

A constructive day today. It turned out that I needed both shade and shelter, and an umbrella will solve that problem for next time.
Having a stunning view helps my brain think more creatively. I don’t know why that is, but it felt as though I was drinking in and feeding my imagination simultaneously.
My back hurt after sitting in the tiny camp chair all day, so I need to fix that for the future.
Once again, a day outdoors in nature was a wonderful experience and restored something in me. Roll on the next.

Book review

Intuitive Editing.

A creative and practical guide to revising your writing.

Tiffany Yates Martin.

Tell me fellow Authors. Where does the magic happen for you?
Is in the writing or in the revising?
Does it matter?

I am a drafter. For me, it’s writing that initial first draft that is magical. Once the story is on paper, I’m finished emotionally. Everything that comes after that is sheer torture. But I have met authors for whom the first draft is like shovelling sand at the start of a sandcastle competition, and the real magic is in the editing. Carving something wonderful out of that ungainly heap of nothingness.
I have struggled to find an editing system that makes sense to me. That keeps me organised without attacking the heart of my story. My head spins with oxford comma’s show don’t tell, character arcs, and weasel words.


Intuitive editing addresses those issues without me feeling I must sacrifice my story to edit it.
For those of you who love editing, Tiffany Yates Martin fills the pages with details and suggestions to make your manuscript shine from the basic structure to the outside polish.

The first section explains how to approach your revision and think like an editor and the last section covers working with a professional from finding someone to talking to them about your work.
The meat of the book offers a process. Macro edits- micro edits and line editing.
She explains the reason for each section, and here is my favourite bit. Each section has an how to find it and how to fix it.
I like the way it’s non-patronising and practical in its approach.
First, she concentrates on character, stakes, and plot. And only when they are vividly shown on the page, so we move on to finer things. Suspense and tension, show and tell, structure momentum, pace, and voice, then at last deals with the line edit. The very thing that most people are aching to do from the beginning.
Each time I write something, I struggle with some detail of editing. Each time I edit, I learn something new. I find it demoralising. I draft my book and I am the best writer ever. I edit and I am the worst, and for a while it cripples me.

This happens every single time, but now at least I am seeing progress.
Her advice is generous and encouraging, which helps me, who is permanently and irreversibly insecure. I have read books on editing that look down on the writer, making you feel as though you will never be good enough to achieve what they are suggesting. The professional is the person who matters. This is not like that this is about forming a partnership, and understanding the process so that you can be a better writer.

Remember, the more editing you do yourself before you send your work to a professional, the less you will need to pay them to do. The more chance they have of concentrating on the finer details.

So, have I put this wonderful advice into my own writing? No, of course not. But I now have somewhere to start, and something to use as a reference point. Book by book I hope to get better and while I have hope, I keep writing.


The book is now on my top ten reference books on craft.

Stealth desk

Where did I go?

Today was a trial run, so I stayed close to home in a small piece of woodland on our property. There is no need to be stealthy here, but folks are so friendly that if the neighbours see me, they will come over for a chat. The whole point is having a tranquil day to is to work, so I will keep my head down.
The woods were quieter than I expected, and at midday, even the birds were asleep. I heard a tractor twice on the lane this morning but nothing else . Bliss!
The thing that I’m enjoying most was the smell, damp, musky and delicious.

It’s late afternoon now but cool because the canopy is thick in the area I’m sitting. My phone says it’s 26 degrees centigrade but I’m beginning to wish I had a jacket.
This morning the hardest thing was starting. I found it so peaceful I felt as though I was on holiday and ended up taking an hour over my breakfast, simply enjoying the place.

What am I working on?

Photo by J. Kelly Brito on Pexels.com

I am working on the first book I wrote and published on amazon. The title was ‘The silver chalice’. But it isn’t available any longer? I took everything off last year, having decided that nothing was good enough.
I need to confess that I have done what you should never do, lost confidence and tossed my toys out of the pram. Since then, I have put books back on Amazon much improved technically. In making technical improvements I lost my voice the thing that made them authentic, so now I find myself at the bottom of a deep dark rabbit hole fiddling with old manuscripts.
Now I have got that off my chest, I will be positive. I have planned a way to get myself out of the dark and into the light again. Only time will tell if I succeed.
The story is about a Church of England Vicar, who has lost her confidence. She moves to a large church as associate minister after a chance encounter with the Rector John Jeffries. He needs help with pastoral work, the one aspect of her job that she loves, and he persuades her she is the right person for the job. She takes a twelve-month contract with the condition that she can assess her calling or vocation at the end of that time.
Two months after she arrives, an intruder breaks in to the church and murders John Jeffries. They steal his personal papers, the church silver, and a historic book kept in a glass case at the back of the sanctuary.
Thrown into turmoil, Alex must find out who broke in and what they wanted. As she solves the mystery, she finds friends and a sense of purpose along the way.
I know so much more about writing than I did when I started. I am creating a stronger, more cohesive story I hope.
Today I worked on the subplot. (It didn’t have one before.) So far, so good. When I have finished, I plan to run it as a serial on here before republishing.

What’s in my lunch box?

Photo by Tima Miroshnichenko on Pexels.com

Wow, lunch time!

This morning for breakfast I had egg mayo with bacon on a home-made cob.
I still use the midlands term for bread rolls. When I lived in Yorkshire, I called them teacakes, and I bet you have another name for them. This kind of stuff makes me love the English language, and encourages me to keep writing.
For lunch I have another cob This time brie and gooseberry Jam . An English Kitkat which taste different to the Spanish ones, and a crunchy bar brought over by a friend who pays for her visits in chocolate. She doesn’t have to pay at all, but don’t tell her that!

For my afternoon snack, I had chocolate chip cookies made the day before with smarties and chocolate chips.
Plenty of water and a can of orange fizzy pop completed it.
I missed my fruit and salad so I will add those in next week.

What am I reading?

Photo by rikka ameboshi on Pexels.com

My computer does not have enough battery life for the whole day, so brought plenty of reading matter with me.
At lunch time I started a book called, Tea and comfort by Andrea Hurst. I will post a full review in my blog. So far, I am unsure about it. It is not a genre I read, and I bought from the cover, without reading the description, so to be fair I will finish it before I write a review. I am convincing myself that reading novels is part of being a writer.
In the afternoon, I read part of a book called Intuitive Editing by Tiffany Yates Martin. It is brilliant and I will put a full review on my blog this week. It cannot say how much it has helped me. And the best thing about it? it is so encouraging, breaking everything into doable stages with headings like how to find it and how to fix it in every chapter.
I am building a collection of craft books because. I aspire to be the best writer possible. Some books are better than others and now this is at the top of my pile. I intend to review those I have found the most helpful in case anyone other writers out there find themselves down the same rabbit hole as me.
Hey ho, and onwards we must go.

Reflections.

Photo by Miguel u00c1. Padriu00f1u00e1n on Pexels.com

Was the day worthwhile?

Absolutely, I not only had a wonderful time, but the following day I was buzzing with enthusiasm for my writing. It pulled me out of the rut I have been in for a while.

What would I do differently?

I need different gear,

In the long term, a battery pack so that my computer lasts all day. I need a new phone so I can use the internet. A camping tarp, so I have protection from the rain. And a camping stove, for days when I want a hot meal.

Oh, and I didn’t use my hammock. I was sure I would.

I use a walking aid because of a back problem, so I am adapting an old rucksack to give me more carrying capacity, meaning I will go further afield. Even though the next two or three weeks I plan to stay close to home.

I have already bought a small flask for my breakfast coffee and individual lunch box so that I don’t have to take the big one we use for picnics

I know people write in cafes, and occasionally I have done that, but this is so much more me. I have a desk in the house and love it. My books, notes etc, are within reach but it was feeling claustrophobic as my mobility issues worsened. I cannot set off for a brisk walk to ‘ blow away the cobwebs’ in the way I once could. This appears to solve that problem. I’ll keep you posted.

Paradela

Photo by Pragyan Bezbaruah on Pexels.com

Another poem today, this time much more lighthearted.

I wrote this when we visited a fiesta in a nearby village. It has a small population of two thousand people. The name Paradela means ‘A stop on the Road.’ It seemed appropriate.

Galicia is sometimes surprising.

Paradela

On Monday Paradela
is a sleepy little town.

On Tuesday Paradela
has nothing going down.

On Wednesday in Paradela
you can buy yourself a cow.

On Thursday Paradela
has a different feeling now

In a square just off the main street,
someone’s setting up a fair.
A sign’s up in the market
warning ‘pedestrians beware’.
Just beyond the town
a closer look reveals.
A farmer on his tractor
doing wheelies in his fields

On Friday Paradela
is getting very weird,
There’s a ramp, a row of buses,
And a lot of men with beards.

On Saturday Paradela
is a very different place.
Bikers clad in leather
are filling every space.
There are Hondas in the marketplace.
Ducati’s in the park.
And as for Kawasaki
they have built themselves an ark.
Yamahas are roaring
and drowning out the sound,
of the leather cladded DJ
on Benelli sponsored ground.
He is playing heavy metal
to the Royal Enfield crowd.
New models from Suzuki
will make their owners proud.
There’s a stylish BMW,
An antique Norton too,
And a row of ancient Triumphs
that served in World War two.
In pride of place on main street
is Harley Davidson
each one so well polished
they outshine the blazing sun.

On Sunday Paradela
is a town gone slightly barmy,
With stuntmen jumping buses
and a display team from the army
The market hall’s a restaurant
behind a giant bar
So the locals are as happy
as the people from afar.

On Monday Paradela
is a sleepy little town.
Just a few exhausted locals
taking all the posters down.

Misty Mornings

Summer days at Casa Batan almost always begin with shrouds of mist. Misty mornings that come before the heat of the day takes hold are one of the privileges of living here.

It covers over mountain tops
and hides the rolling hills.
And winds its way up rivers
dimming swirls and rills

It dances through the forest
with the spirits of the trees.
And hides the fields and hedgerows
then hovers on the breeze,

On the lake it sunbathes,
with feathered falling motion
Yet settles in the valleys
Like a liquid silver ocean

It mingles in the churchyard
with souls of the long gone,
Then frightens playing children
With a half heard mournful song

Inhabits ruined cottages
with smoke from empty grates.
And grasps at passing pilgrims
With icy fingered fate.

It touches all the spiderwebs
makes crystal chandeliers
But in its passing over
leaves a washing line of tears.

Legends ghosts and fairies
all hide within its folds
But so do prayers of pilgrims
And the love of long-lost souls

That is why my homeland
By strangers is dismissed
Because the heart of My Galicia
Is hidden in the mist

By Abigail Thorne

The baker’s shop. A memoir.

Almost all the happy memories I have of my childhood revolve around food. My mum enjoyed cooking and my dad enjoyed eating. Not only was my mother an excellent cook, but she was an extrovert, sociable hostess and, in the early sixties, these were admirable qualities.
Memory is fickle and changes with family stories and perception, but there’s something life affirming about rooting out the best things and allowing those memories to breathe and grow and give the less happy stuff a bit of balance.
Visits to the bakery are amongst my earliest recollections. Going to the market was a weekly event with a ritual attached. My sister rode in a large pram, and I wore my best coat in anticipation of a visit to a cafe afterwards. The bakery came between the market and the cafe.

We joined the queue, which wound along the street by the marketplace.
“Hold tight to the pram, and I’ll buy you a chocolate milkshake,” whispered Mum.
This was the worst part of the day. The prodding, poking and height measuring of the other women in the line. My long pigtails admired and my pale cheeks pinched.
“You look like your grandmother.” Is a refrain with no response, belonging as it did to the nonsense phrases that my mother’s friends used all the time.

Soon, I tire of that agony, and I dive under the big pram wheel and press my nose against the window of the shop next door. It sells model trains, and the window is full of tiny houses, pieces of track and miniature signal boxes. I long to go inside, but know better than to ask.
We reach the bowed window of the bakers at last, with its shelves of loaves and plates of cake and the unmistakable aroma of baking bread. We park my sister in front with the other prams, our shopping neatly tucked under the pram cover, and the hood up ‘In case of rain’.
Mum then yanks me through the door into the tiny, crowded interior. She is soon chatting, and I begin the job of avoiding shopping bags full of hard vegetables. I wriggle into gaps to find a spot to avoid getting trampled on. The combinations of legs, umbrellas, shopping bags and endless talking terrifies me still.

Sometimes I found the gap beside the glass cases full of fancy cakes, and pressed my face close to see the vanilla slices, meringues, and cream cakes. The swirls of cream and pastel coloured icing fascinated me.

If I close my eyes now, and I can touch the glass and see the cake ensconced inside.


My favourite place was under the big wooden counter where I see into the bakery itself. Men in white trousers putting trays of loaves into a giant oven, with long poles. Or stood at a table shaping pies and pasties, crimping edges at lighting speed. A machine in one corner rattled constantly, and every so often someone lifted mounds of dough onto another table to be shaped and put on racks ready for the oven. Being too young to understand the process never dimmed the fascination. The warm yeasty smell, glimpses of flame at the back of the oven, and constant movement was enough.
Mum always bought a curd tart and an egg custard tart. They came in a brown paper bag warm from the oven with the scent of nutmeg leaking from the opening. They were for my dad, his favourites, and the presentation came after tea, as though he had won an important award. It was all part of the ritual.

Living in Spain as I do, I haven’t seen a Yorkshire curd tart for years. Custard Tarts, I make when the hens are laying, or buy the Portuguese variety from the supermarket.
I made one with homemade farmer’s cheese, knowing at once that the taste would be different. Fresh cheese curds are a byproduct of the cheese-making process and all together richer. Next time I’ll buy fresh cheese from the market and crumble it, rather than turning UHT milk into something it can never be.
Despite the lack of authentic curds, the result was a delight, lighter and less sweet that a modern cheese cake. Plain rather than a fancy desert.
Cakes and tarts like this were part of life then, women cooked and baked as a part of life, not as a hobby. I realised much later when I started going for tea at the houses of friends, how lucky I was that mum was a skilled baker.

Shop bought cakes, rather than homemade, were special and bought from the bakery, but we ate pudding or cake every day as part of a meal. I didn’t taste the mass-produced stuff till I left home years later.

In the following decades, cakes became frowned upon for dietary reasons, but simultaneously became richer and sweeter. Baking has become a hobby and they can therefore be more elaborate.
I make no judgement. Eating habits have changed over the years, along with the number of calories we need to get through the day. I admit I have a nostalgic fondness for old-fashioned teatime time cakes free of cream or mounds of icing, just hints of nutmeg, vanilla, lemon or caraway.